Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

民国悬疑推理网剧《拆.案》导演:杨东亮《妖出长安》《剑归何处》编剧:刘宇团队《东北往事之破马张飞》《栀子花开》《沙僧日记》

民国悬疑推理网剧《拆.案》 　　导演:杨东亮 　　《妖出长安》《剑归何处》 　　编剧:刘宇团队 　　《东北往事之破马张飞》《栀子花开》《沙僧日记》

北城兵马司副指挥使武川在押送案犯“花千海”时被宋轩劫走，武川获罪被贬为更夫。武川心有不甘暗中追查到宋轩下落，打算将他抓捕归案时却卷入惊天大案之中，武川和宋轩遭到追杀，最终二人联手配合五城兵马司破案。

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.